Cork International Film Festival’s annual high calibre Industry Days provide invaluable opportunities for established and emerging filmmakers to connect, and to explore all aspects of the film industry.
Presented in partnership with Fís Éireann/Screen Ireland, and supported by Screen Skills Ireland.
This year Cork International Film Festival’s acclaimed film industry training days are available to filmmakers worldwide to attend on our dedicated Industry Portal and are free of charge. CIFF is thrilled to welcome award-winning international filmmaker, activist and philanthropist Abigail Disney as its Doc Day keynote guest.
All Industry Day sessions, First Take and Doc Day are available for catch-up on the Cork International Film Festival online platform until Monday 30 November.
All sessions are free but ticketed, participants must sign up for each session separately.
INDUSTRY DAY: FIRST TAKE
Monday 9 November
First Take is a training and development platform for newly established film professionals, emerging filmmakers, film and media students, and the wider film industry, comprising case studies, presentations and panel discussions. Its intention is to promote fresh thinking amongst emerging and working filmmakers, inspiring them to be proactive in creating and promoting their own film work. Sessions will focus on Irish feature film The Bright Side (world premiering at CIFF2020), the current state of play for festival programming and film exhibition, and navigating film production in the age of Covid-19. Sessions are available for catch-up on the Cork International Film Festival online platform until Monday 30 November.
WFT chair, Dr Susan Liddy (Raising Films Ireland) will be in conversation with producer Ailish Bracken (Chair Raising Films Ireland), writer/director/ producer Roisin Kearney (Run ; Paddy, The Ferry) and writer/producer Niall Murphy (Scannain & Raising Films Ireland).
The panel will discuss the ways in which the Irish screen industries can better support parents and carers.
Ireland’s top film festival programmers assemble to discuss the current state of play within the Irish and international film festival landscape, how their festivals are adapting to this brave new world, and the negative (and sometimes positive!) aspects of programming in a pandemic.
Esther McCarthy – Film journalist (Chair)
Will Fitzgerald – Director of Programming, Galway Film Fleadh
Gráinne Humphreys – Festival Director, Dublin International Film Festival
Anna Kopecká – Director of Programming, Cork International Film Festival
Presented in partnership with Women in Film & Television Ireland, this session celebrates the recent successes and accomplishments of Irish female filmmakers. It assesses the initiatives and structural changes that have occurred in the industry over the last few years with the aim of recognising, encouraging and promoting women in film.
Susan Liddy – Chair, WIFT (Chair)
Cathy Brady – Writer & Director, Wildfire
Ailbhe Keogan – Screenwriter, Run & Jump
Katie McNeice – Director, In Orbit
Filmmakers and funders involved in the first ‘post-Covid-19 lockdown’ film shoots in Ireland confer on their experience of prepping, managing and executing a Covid-proof production, how the filmmaking landscape has shifted, and how to action film productions in an utterly changed world.
Stephen Davenport – Inward Production Manager, Screen Ireland (Chair)
Jessie Fisk – Producer, Wolf
Ailish Bracken – Line Producer, Wolf
Celine Haddad – Project Manager, Screen Ireland
The director and producer of Irish feature film ‘The Bright Side‘ (World Premiering at CIFF2020) discuss the process of bringing this wonderful debut feature into the world, the collaborative creative process, and both the positives and perils of producing a low budget feature film.
Mary Kate O’Flanagan – Writer, storyteller, story consultant (Chair)
Tony Deegan – Producer, ‘The Bright Side‘
Ruth Meehan – Director, ‘The Bright Side‘
INDUSTRY DAY: DOC DAY
Tuesday 10 November
Cork International Film Festival continues to develop its focus on high-quality Irish and international documentary cinema with Doc Day, connecting emerging and established non-fiction filmmakers with industry professionals and the wider documentary sector, with the objective of helping to inform, inspire and develop opportunities within the global documentary landscape. Doc Day will profile a keynote interview with filmmaker, activist and philanthropist Abigail Disney, and explore subjects including the emotional and personal risks of non-fiction filmmaking, working with your subjects, and the interaction of art and advocacy in documentary. Sessions will take place on Tuesday 10 November, and will be available for catch-up on the Cork International Film Festival online platform until Monday 30 November.
‘Castro’s Spies’ Co-director and editor Ollie Aslin discusses his experiences researching, collating and working with the incredibly rich archival footage exhibited within the documentary, with Shane O’Sullivan, Film lecturer at Kingston School of Art, filmmaker and archival expert.
Ollie Aslin – Co-director & Editor, ‘Castro’s Spies‘
Shane O’Sullivan – Filmmaker and Senior Lecturer, Kingston School of Art
As cultural heritage organisations digitise their collections and increase public access, including Cork International Film Festival’s new Digital Archive, moving image portals like the IFI Player, RTÉ Archives, BFI Player and BBC iPlayer provide audiences with virtual screening rooms to view their shared audiovisual history on demand. But the creative reuse of moving image archive material remains problematic, beset by questions of copyright law, rights clearance and “fair dealing” exceptions. The Make Film History network is addressing this problem by developing a new, sustainable model for the creative reuse of archive material for non-commercial use.
Presented by the project’s key facilitators, Ciara Chambers, Head of Film and Screen Media at UCC, and Shane O’Sullivan, Filmmaking Lecturer, Kingston School of Art, this session explores the project and explains how to get involved, as well as analysing issues pertaining to copyright, ethics and the aesthetic and illustrative function of archival appropriation in a range of visual forms.
Ciara Chambers – Head of Film and Screen Media, UCC
Shane O’Sullivan – Filmmaker and Senior Lecturer, Kingston School of Art
A cohort of seasoned documentary professionals examine their experiences working with their subjects – responsibilities towards contributors, building trust, examples of films where this has worked (and hasn’t!), and the ethics of documentary filmmaking.
Tom Burke – Director, Losing Alaska
Gary Lennon – Co-director, Castro’s Spies
Eimhear O’Neill – Producer, Fine Point Films
Eva Marie Rødbro – Director, I Love You I Miss You I Hope I See You Before I Die
The filmmakers behind ‘The 8th‘ discuss the making of the film, their upcoming strategic social impact campaign and their experiences releasing The 8th into an almost exclusively digital world.
Sile Culley – Audience & Distribution Consultant (Chair)
Maeve O’Boyle – Co-director, ‘The 8th‘
Aideen Kane – Co-director,’The 8th‘
Lucy Kennedy – Co-director, ‘The 8th‘
Filmmaking can often be a difficult pursuit, and precarious career path, but documentary filmmaking in particular can often come with it’s own unique set of challenges to the personal life, and mental and emotional health of the filmmaker. A group of documentary filmmakers consider their own unique set of experiences.
Abigail Disney – Filmmaker / Philanthropist (Chair)
Trevor Birney – Producer, No Stone Unturned
Alison Millar – Director, Ceasefire Baby
More speakers to be announced
An intimate in-conversation between documentary producer, philanthropist and activist Abigail Disney and CIFF Festival Director & CEO Fiona Clark for Doc Day, in which Disney speaks about her career in film, her advocacy work, and her philanthropic pursuits in the film world and beyond.