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Parallel Space: Inter View
Peter Tscherkassky
Austria | 1992 | 18 | Black & White
Made using a still camera. The photograph produced by a 35mm camera corresponds exactly to the size of two film frames. If the negative of a photograph is projected sideways, two film frames are seen. Its temporal and spatial unity disintegrates into pieces which then start corresponding with each other.
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Outer Space
Peter Tscherkassky
Austria | 1999 | 10mins | Black & White
A premonition of a horror film. A house at night, eerily lit surfaces from the pitch black, then sinks back into it again. A young woman begins to move slowly towards the building.
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Happy End
Peter Tscherkassky
Austria | 1996 | 10mins | Colour and Black & White
The original material of this found footage film stems from a married Viennese couple who filmed themselves over the 1960s and 70s. They are cheerful documentaries of various celebrations where the camera is, quite naturally, included in the company.
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Dream Work
Peter Tscherkassky
Austria | 2001 | 11mins | Black & White
A woman goes to bed, falls asleep, and begins to dream. This dream takes her to a landscape of light and shadow, evoked in a form only possible through classic cinematography.
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L'Arrivée
Peter Tscherkassky
Austria | 1997/98 | 2mins | Black & White
It appears as if the film with the depicted train has to work its way across the screen with a great deal of effort. A storm of material follows and Catherine Deneuve descends from the train, before falling in to the embrace of an approaching man.
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