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Festival Programme 06

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Timetable

Galas
Sunday: Death Of A President
Monday: The Host
Tuesday: Hollywoodland
Wednesday: Ten Canoes
Thursday: Red Road
Gala At The Gate: A Good Year
Friday: The Page Turner
Saturday: The Namesake
Closing Gala: Marie Antoinette

Lord Mayor's Family Screening: Bugsy Malone

Drive-In Movies

Features
World Cinema Programme

Documentaries
Gala Documentary:
The Shutka Book Of Records

Documentary Panorama

Shorts
'Made In Cork'
National Shorts Competition
International Shorts Competition
This Is Our World
Late Great Shorts
8 Great Shorts
3 X 3

Special Programmes:
Free Radicals
Oscailt
Slow Food Evening
Europe In Shorts
Jameson Award Winning Shorts
EFA Award Winners
Experimental Conversations
Tribute To Bill Morrison
Focus On Jens Jonsson
Outlook
onedotzero – digital intelligence
Joy
Kommando Films
Lunchtime Screenings
Industry Events
Education

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Documentaries
Tuesday 10th | 5.00pm | Triskel

Notes On Marie Menken
Martina Kudlácek
Austria | 2006 | 97mins | Beta | Colour and Black & White

Marie Menken was an icon of the New York avant-garde filmmaking scene of the 1950s and 1960s. She was the inspiration for the character played by Elizabeth Taylor in the film of Edward Albee’s Who’s Afraid of Virginia Woolf? and was a confidante to the likes of Kenneth Anger, Stan Brakhage and Andy Warhol, appearing in the latter’s Chelsea Girls. Complimented by a musical score by John Zorn, the documentary allows a glimpse of her social and artistic struggle and radical integrity, drawing the picture of a modern myth in personal diary style.

According to filmmaker Jonas Mekas Marie was one of the first filmmakers to improvise with the camera and edit while shooting. She filmed with her entire body, her entire nervous system. You can feel Marie behind every image, how she constructed the film in tiny pieces and through the movement. The movement and the rhythm – this is what so many of us seized upon and have developed further in our own work.

Notes On Marie Menken
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