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Monday 11th | 9.00pm |
Triskel Arts Centre
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Saturday 16th | 11.30pm |
Kino Cinema
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Sunday 17th | 6.00pm |
Cork Opera House
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Room To Let
Yau Fang Chu Zu
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James Lee
Malaysia | 2002 | 108mins | Beta | Colour | Subtitled
When aimless drifter Berg is offered a room at DVD
salesman Andrew's rented accommodation it rekindles
memories among his housemates of a previous occupant:
an artist who disappeared three years previously.
The ethereal Berg spends his time morose-ly watching
television and habitually puffing joylessly on a cigarette
in direct violation of the caretaker's rules. Before
long an exas-perated Andrew is pleading with Berg
to get a job but by no means does his listlessness
make his behaviour stand out as odd when compared
to the other tenants who also include a ghost. There
is the struggling script-writer Wei who tries to barter
his wife for rent, the struggling artist who lives
in the disappeared artist's shadow and Ling who harbours
a dark secret. Even the pious monk who has come to
perform an exorcism has his quirk.
Possessing the same looseness as that of its characters
this is a mystery without a resolution. From minimal
dialogue and dead pan acting comes an unexpected sense
of humour that, while caustic, never undermines the
affection the film has for the characters.
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Saved!
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Brian Dannelly
USA | 2004 | 92mins | 35mm | Colour
Saved! is a sweet, sassy and politically incorrect
comedy; often happily over the top, about a group
of privileged teenagers who struggle to reconcile
their faith with the moral pitfalls life has placed
before them.
The hero of the piece is Mary, a righteous teen at
a Christian high school. After learning that her boyfriend
may be gay, she makes a deal with Jesus to sacrifice
her virginity in order to cure him of his 'faggotry'.
Though the ploy fails, Mary ends up pregnant. Thus
she begins her final year at American Eagles with
a big problem, one that she conceals from her flighty
mom and her coterie of God-fearing friends, who are
led by hypocrite queen-bee Hilary Faye. However, her
condition does not escape the attention of Hilary
Faye's wheelchair bound brother Roland or the school's
only Jewish student, Cassandra. When news of her pregnancy
spreads, the reaction of others is less sympathetic.
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Somersault
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Cate Shortland
Australia | 2004 | 106mins | 35mm | Colour
In its simplest terms, this is a rites-of-passage
film: a teenage girl, just becoming aware of her sexuality,
makes a careless, ill-advised pass at her mother's
boyfriend; caught in the act, she runs away to the
Snowy Mountains, where she finds a job and a room
and embarks upon a series of encounters, that mark
her definitive entry into the adult world. She seems
to seek a sexual connection with every man she meets.
But it's also a meditation on gender politics, and
a critique of youth culture.
She finds refuge in the ski resort town of Jindabyne.
Without any means of living she is forced to struggle
to survive until the day when she meets Joe the son
of a rich farmer. Her directness strikes unexpected
chords in the handsome Joe with whom she begins a
complex relationship.
A visually haunting story of an adolescent girl's
discovery of the difference between sex and love in
the winter landscape of an Australian ski resort town.
It is, however, an ultimately hopeful film that affirms
the value of forgiveness without easy catharsis.
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