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Wednesday 13th | 2.00pm |
Gate Cinema
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Tuesday 12th | 6.00pm |
Cork Opera House
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Thursday 14th | 4.00pm |
Cork Opera House
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Nema Problema
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Giancarlo Bocchi
Italy | 2004 | 85mins | 35mm | Colour | Subtitled
Scornful of the lack of clear cut military information
Lorenzi, a war correspondent, decides to venture in
the heart of Balkan territory with the purpose of
exposing the elusive Commander Jako, a renegade warlord
who is believed to be responsible for the disappearance
of an entire convoy of refugees. A local translator,
Aldo, offers his services and the pair set off on
their perilous journey through various warring strongholds.
Along the way they pick up two others: the idealistic
young journalist Maxime, and Sanja, a local girl desperately
searching for her missing relatives.
Different tensions begin to mount. Aldo resents
Sanja's presence while Lorenzi's relentless self-promotion
and distortion of the truth disgusts Maxime who in
turn feels duped by his own eagerness to believe.
They track Commander Jako to the besieged city of
Vaku. Lorenzi, believing himself to be close to his
moment of triumph, finds out how far from the truth
he actually was.
A superbly cast film. Director Bocchi's experience
as a documentary filmmaker in some of the world's
main conflict zones serves him well when dissecting
the various ways in which truth is manipulated.
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Oldboy
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Park Chan-wook
South Korea | 2003 | 120mins | 35mm | Colour | Subtitled
One day in 1988, an ordinary man named OH Dae-su,
who lives with his beloved wife and adorable daughter,
with no outward reason to be anyone's enemy, is kidnapped
and later wakes up to find himself in a pri-vate makeshift
prison. Dae-su makes numerous attempts to escape and
to commit suicide, but they all end in failure. All
the while Dae-su asks himself what made a man hate
him enough to imprison him without any reason. He
sees on the small television that is his window upon
the world, that his wife has been murdered and that
he has been charged, in absentia, with the crime.
At this very moment, Dae-su swears to take revenge
on the man who destroyed his happy life.
Time passes. He builds his strength, makes a hopeless
bid for escape. Then one day, quite without warning
or reason, he's set free, given money and a mobile
phone, and invited to find the man who stole fifteen
years of his life.
Ultra stylish psychodrama - Michael Dwyer, The Irish
Times
Winner Grand Prix, Cannes Film Festival
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Roads To Koktebel
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Boris Khlebnikov, Aleksei Popogrebsky
Russia | 2003 | 105mins | 35mm | Colour | Subtitled
This simple and unadorned odyssey follows an unnamed
man who after the death of his wife, takes to drink
and loses his apartment. Since there is nothing left
for him in Moscow, he sets off with his eleven-year-old
son to take the 1000-mile journey from Moscow to his
sister's home in the seaside resort of Koktebel in
the Crimea. The boy has heard stories about the gliders
and other birds that wheel in the air there and hopes
to reach the site of his fantasies as soon as possible.
His father, meanwhile, seems content to travel at
the mercy of chance, however slow their movement may
be: they travel on foot and by train, earning their
keep along the way with casual labour. The boy tolerates
their sluggish progress for a while, but he is in
the clutches of his dream of Koktebel and cannot slip
into the static contentment that appears to satisfy
his father. The two lost souls are pulled in different
directions as they form their own desires and aspirations;
the son yearns for Koktebel; while the father wishes
to stay with a country doctor with whom he has fallen
in love.
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